- Ambiance Lights
- Island Paintings
- AboutJenny Floravita was born to be an artist. She began her studies in painting, drawing, music and dance as a small child, excelling in all. Her life in the San Francisco Bay Area afforded her great exposure to the arts. Jenny won numerous awards as a young artist including four California Governor’s Medallions and four California State Seals, two each for art and dance. After receiving several scholarships, Jenny went on to study and receive her formal art degree through University of California, Santa Cruz. She lived and worked in Santa Cruz as a graphic designer and fine art painter for several years before re-locating to her family’s home town in the Delta. Since 2000, Jenny Floravita’s fine art career has blossomed. She has exhibited in numerous galleries and high-end art festivals. She paints island scenes and tropical flowers in both oil and watercolor. Jenny’s journey in reverse glass painting began in the early summer of 2007 and since then she has added her beautiful custom glass painted chandeliers to her line of oil and watercolor paintings.
- ExhibitionsMarch 10-13, 2011 La Quinta Arts Festival for info and to purchase tickets: 706-564-1244 www.lqaf.com Please check back in the spring of 2011 for additional events.
Watercolor painting, Glowing Ti Leaves of the Hawaiian Islands, also shown at Woodbridge by Mondavi Winery art show
One of my newest over-sized watercolors, Glowing Ti Leaves of the Hawaiian Islands (along with my reverse painted chandelier titled June Garden Bloom) was also included in the juried art show at Woodbridge by Mondavi Winery in May. This is my current favorite tropical flower painting. The flowers for this piece were seen on Kauai though this scene could be from any garden enthusiasts home in the Hawaiian Islands.
There were over 700 entries in the various categories so I was very excited to have this piece of art included in the show, especially considering that one of my favorite chandeliers was also chosen. I must confess that if I could do this over again, I would have framed this piece differently. Normally we frame all of my watercolor paintings here at the studio and all of my watercolors have been framed in the same style for the past several years. My husband does the chops and assembly, I cut the mats and assemble the fillets, backing, etc… I had decided that I wanted to do something different with this one piece and wanted to give a local frame shop (that has a flaky reputation but is well known among the local artists) another try at framing simply to support another local business that is not a big box business…gave them plenty of time…with disastrous results. Right down to the last minute this was a stressful frame job and in the end I didn’t get the moulding, matting, fillet that was specifically chosen for this piece—as a last resort we had to put the painting into a thin molding that warps because the size of the painting is too large for the molding.
I am planning on re-framing this piece in the way in which it deserves, you can see here how beautiful it is and that it deserves to be shown well. Framing is an important part of a watercolor’s presentation. In the near future, I will do a blog or two on how this piece will be framed and why certain frame and matting decisions are made.
If any of you know an awesome framer, I’m open to ideas for this piece!